![]() All of a sudden, things felt like they were changing, and they wouldn’t be getting better anytime soon. ![]() That same day, I was told by my company to start working from home and social distancing, and I witnessed firsthand the eeriness of going to a normally stocked grocery store that was left with barren freezers and empty shelves where canned goods and toilet paper were once abundant. Things felt like they took a significant turn on March 11, when the spread of the virus prompted Trump to suspend travel from Europe to the US, Tom Hanks announced he and his wife, Rita Wilson, were quarantined with the virus in Australia, and the NBA postponed the rest of its season indefinitely. ![]() My apocalyptic viewing started ramping up in earnest a couple of weeks ago, when the US made a collective shift toward taking the coronavirus more seriously. Evidently, it wasn’t one that fully got through. But that conversation was sobering McNamara told me that Steven Soderbergh’s 2011 film about a disease that originates in Hong Kong and rapidly spreads around the world, killing millions of people, was meant to be a warning. At that point, COVID-19 was already silently spreading in the US, but hadn’t really started to make itself felt in earnest. Like seemingly everyone else in the country, I started with Contagion, which I watched for the first time at the end of February so that I could interview veterinary pathologist Tracey McNamara, who served as a scientific adviser for the film. I can’t stop watching movies about the world coming to an end.
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